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Ludwig Mies Van Der Rohe: Furniture and Furniture Drawings by Ludwig Glaeser.

Ludwig Mies Van Der Rohe: Furniture and Furniture Drawings by Ludwig Glaeser.

Unread book in perfect condition.

Unread. Still in original cellophane wrap. Very good book.

Neuware - Das Haus Tugendhat in Brünn / Tschechische Republik, von Ludwig Mies van der Rohe 1928-1930 geplant und gebaut, gilt unbestritten als einer der wichtigsten Bauten der europäischen Moderne. 2001 erklärte die UNESCO das Haus zum Welterbe der Kultur. In dieser dritten, aktualisierten Auflage beschreiben die Autoren private, historische, architekturtheoretische, kunsthistorische und konservierungswissenschaftliche Aspekte des Hauses. Die umfangreiche Beschreibung der Materialität bzw. die eingehende Diskussion dieses Aspekts ist eine Besonderheit in der Forschungslandschaft. Ein besonderer Reiz dieser Monografie liegt in der Veröffentlichung von Fotos aus dem Familienbesitz, die das Haus erstmals in bewohntem Zustand zeigen. Die experimentellen künstlerischen Farbfotografien von Fritz Tugendhat gehören zu den Pionierleistungen privat ausgeübter Fototechnik.

Less is more: Finding perfection in purity   Ludwig Mies van der Rohe (1886–1969) was one of the founding fathers of modern architecture. The creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945–1951) and the Seagram Building in New York (1954–1958), Mies was one of the founders of a new architectural style. Well known for his motto "less is more," he sought a kind of refined purity in architectural expression that was not seen in the reduced vocabulary of other Bauhaus members. His goal was not simply building for those of modest income but building economically in terms of sustainability, both in a technical and aesthetical way; the use of industrial materials such as steel and glass were the foundation of this approach. Though the extreme reduction of form and material in his work garnered some criticism, over the years many have tried—mostly unsuccessfully—to copy his original and elegant style. This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings.   About the Series: Each book in TASCHEN’s Basic Architecture Series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)

This essential and comprehensive Mies monograph focuses in its analysis on Mies’ design intentions: it reconstructs the buildings in their orginal state, examines them from the present day persepctive and rediscovers the inspiring architecture of a great modern master. The book presents eighty of Mies’ works in chronological order. Approximately thirty of these works are analyzed in detail in three parts. In the first part, the construction is documented in its built state; for this all the ground plans were redrawn by the author. The second part outlines the changes to the buildings and the third part develops the results of this investigation with regard to their relevance to the contemporaryview of Mies’ work.

Mies van der Rohe: A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the master German-American modern architect. Coauthored with architect Edward Windhorst, this revised edition, three times the length of the original text, features extensive new research and commentary and draws on the best recent work of American and German scholars. The authors’ major new discoveries include the massive transcript of the early-1950s Farnsworth House court case, which discloses for the first time the facts about Mies’s epic battle with his client Edith Farnsworth. Giving voice to dozens of architects who knew and worked with (and sometimes against) Mies, this comprehensive biography tells the compelling story of how Mies and his students and followers created some of the most significant buildings of the twentieth century.    

This paperback reprint of a book initially published in 1974 delves into the ideology behind many of Mies van der Rohe's most famous architectural marvels, including the Seagram Building in New York City and the Lake Shore Drive Apartments in Chicago. Van der Rohe, father of the glass and steel modernist skyscraper, affected his field more dramatically than most of his contemporaries. From his earliest years as an apprentice architect in Germany in the first decade of the 20th century, van der Rohe pursued a clear set of ideals about the nature of building. Peter Carter, a student of and later staff architect for van der Rohe, guides readers through his mentor's commitment to structure as the determining factor of form and architecture as an illustration of its civilization. It may seem old hat to today's readers that form follows function, but the notion was very avant-garde during the middle of the century, when van der Rohe was at his height. The book is filled with photographs, building statistics, architectural drawings, and models that paint a clear picture of the philosophy behind these buildings that are such emblems of grace and strength. Quotes from van der Rohe himself--peppered throughout--are particularly insightful: "It is often thought that heaviness is synonymous with strength. In my opinion it is just the opposite." From his high-rise skeleton-frame buildings to landscaping to private homes, this truth is borne out. Mies van der Rohe at Work is perfectly suited for an aficionado of the great architect's work and readers who want to look at and read about great buildings. [192 pages, 300 black-and-white illustrations and biographical chronology] --J.P. Cohen

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.8

At number 860 Lake Shore Drive, in a prime location beside Lake Michigan, Mies van der Rohe built two apartment towers in 1948-50. The steel and glass towers, standing perpendicular to each other, have skeletal frames and are 26 stories high. The exterior consists of floor-to-ceiling windows. The Lake Shore Drive Apartments are amongst the first modern residential skyscrapers and are as such an important landmark in the history of architecture. Similar to the publication on Farnsworth House, this volume documents the development of these skyscrapers over a long period of time with informative texts by Werner Blaser and copious photographs. Texts from Mies van der Rohe himself and an essay by a resident, Masami Takayama, conveying impressions of what it is like to live there, complete this publication.

Essays by Wolf Tegethoff, Richard Pommer, and Fritz Neumeyer. Interview with James Ingo Freed. The rich legacy of scholarly and critical reassessments of Mies van der Rohe continues to grow since his centenary in 1986. This book which had its origins in the historic centennial exhibition at the Museum of Modern Art, presents four provocative new writings on Mies augmented by 150 illustrations from MOMA's Mies van der Rohe Archive and other sources. In his insightful introduction, Franz Schulze, author of the acclaimed Mies van der Rohe: A Critical Biography, discusses the reasons why Mies's art and name evokes such a different response today and compares Mies to Frank Lloyd Wright and Le Corbusier in terms of critical fortune. Wolf Tegethoff traces the maturation of Mies's thought during the 1920s, bringing fascinating new research to his examination of this complex European period. Art historian Richard Pommer examines Mies's political ideology and those of other artists of the modern movement in the Weimar years and the first years of the Third Reich. Fritz Neumeyer addresses the issues of tradition and modernity in Mies's life's work through a detailed analysis of several of his earliest buildings. In the concluding piece, architect James Ingo Freed, who studied under Mies at the Illinois Institute of Technology and succeeded him as director of ITT, offers penetrating comments on Mies as an educator and as an architect during his American years. Franz Schulze is Hollender Professor of Art at Lake Forest College. Wolf Tegethoff is Professor at the Zentralinstitut für Kunstgeschichte in Munich. Richard Pommer is Professor of Art History at New York University's Institute of Fine Arts. Fritz Neumeyer is Professor of Architectural Theory at the Technical University, Berlin. James Ingo Freed is a partner in the architectural firm I.M. Pei & Partners. Distributed for the Museum of Modern Art.

From 1938 to 1958 Mies van der Rohe planned and built the new campus for the Illinois Institute of Technology in Chicago. Limited funding demanded extreme financial prudence and the imagination of the architect was fired by this challenge. With load-bearing brick walls, skeletal structures constructed out of visible reinforced concrete and steel, Mies created a masterpiece of simple elegance. The clarity and structure of the basic form has proved to be an enduring solution for the various classrooms and laboratories over the years. With concise texts and expressive images, this book captures the essence of these institute buildings which together with the book on Crown Hall, the Department of Architecture at ITT, presents an indispensable documentation of these epoch-making buildings.

The Neue Nationalgalerie (New National Gallery) in Berlin is not only a museum but also an architectural milestone. The last building of the great German architect Ludwig Mies van der Rohe (1886-1969), it is widely considered one of the most perfect statements of his aesthetic, with its monumental steel columns and cantilevered roof with glass enclosure. The Neue Nationalgalerie is especially famous for its 50 x 50-meter hall; with this unique pavilion structure Mies van der Rohe put a final virtuoso touch to this final masterpiece. There is no other van der Rohe structure in which the boundary between inside and outside is as porous as in this famous hall. This publication presents the building from today's perspectives, but also features historical photographs taken during the construction period, the building's opening in 1968 and the spectacular early exhibitions that took place there.

Mies van der Rohe: A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the master German-American modern architect. Coauthored with architect Edward Windhorst, this revised edition, three times the length of the original text, features extensive new research and commentary and draws on the best recent work of American and German scholars. The authors’ major new discoveries include the massive transcript of the early-1950s Farnsworth House court case, which discloses for the first time the facts about Mies’s epic battle with his client Edith Farnsworth. Giving voice to dozens of architects who knew and worked with (and sometimes against) Mies, this comprehensive biography tells the compelling story of how Mies and his students and followers created some of the most significant buildings of the twentieth century.    

With all of the attention Mies van der Rohe has received over the last few years, it's hard to believe that there could be a pair of "undiscovered" buildings begging for even the slightest considerationand receiving none. Such has been the fate, however, of Mies's Krefeld Villas, a pair of neighboring brickresidences of typically restrained elegance built from 1927 to 1930. Their anonymity is, to some degree, Mies's own doing; in 1959, in his only public comment about the projects, he quipped that he would have preferred to use more glass, but the clients objected. "I had great trouble," he said.As historians Kent Kleinman and Leslie van Duzer show in this carefully researched, eminently readable study, sometimes it's best not to take the architect at his word. Here they guide us through the two villas, which were converted into a joined museum of contemporary art after World War II. Each chapter begins with a study of an artist who has created a site-specific installation within the villas. By analyzing how Yves Klein, Sol LeWitt, Richard Serra, and Ernst Caramelle chose to engage Mies's architecture, they arrive at a truly original understanding of these two forgotten masterworks.

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Mies van der Rohe's mastery of spatial composition remains unequalled to this day. Influenced by Gropius and Le Corbusier, he found great inspiration in glass, steel, iron, and concrete. Mies van der Rohe: Architect, provides a comprehensive analysis of this great architect's entire oeuvre and presents a detailed portfolio of 21 key works. Author Yehuda E. Safran is an architectural/art critic based in Paris and New York and is currently Adjunct Associate Professor at Columbia University. Works include: Barcelona Pavilion, Seagram Building, Tugendhat House, Weissenhof Apartment Building, Social Service Administration Building, Farnsworth House, 860-880 Lake Shore Drive, 900-910 Lake Shore Drive, Lafayete Park, IBM Regional Office Building, New National Gallery, S.R. Crown Hall, Lange House, Esters House, Africanischestrasse Housing, and more.

At number 860 Lake Shore Drive, in a prime location beside Lake Michigan, Mies van der Rohe built two apartment towers in 1948-50. The steel and glass towers, standing perpendicular to each other, have skeletal frames and are 26 stories high. The exterior consists of floor-to-ceiling windows. The Lake Shore Drive Apartments are amongst the first modern residential skyscrapers and are as such an important landmark in the history of architecture. Similar to the publication on Farnsworth House, this volume documents the development of these skyscrapers over a long period of time with informative texts by Werner Blaser and copious photographs. Texts from Mies van der Rohe himself and an essay by a resident, Masami Takayama, conveying impressions of what it is like to live there, complete this publication.

Photographer Paul Clemence celebrates a revered icon of modern architecture, the Farnsworth House, located near Plano, Illinois, and designed in 1951 by architect Ludwig Mies van der Rohe. Striking architetural details are captured in 20 eye-catching B & W postcards. Whether mailing or framing the stunning images, this book is a must-have for devotees of architecture, design, Modernism, the Bauhaus, Mies van der Rohe, and photography.